Scene from the Steeplechase: The Fallen Jockey, painted by Edgar Degas between 1866 and 1881, is an oil on canvas that captures a moment of painful drama on the racetrack. Rather than focusing on the glamour or speed associated with equestrian sport, Degas renders the immediate aftermath of an accident. The central figure, a jockey clad in vivid racing silks, lies collapsed and motionless on the turf, his position suggesting the abruptness and violence of the fall. His horse, meanwhile, has moved out of the frame or further away, leaving the man isolated against the broad expanse of the course.
The piece exemplifies Degas’s dedication to depicting subjects drawn from modern French life and his mastery of capturing spontaneous, fleeting movement. Although created over a long period, the work belongs stylistically to the 1851 to 1875 period, during which artists challenged academic traditions by adopting unorthodox compositions and asymmetrical framing, techniques visible here in the seemingly chance arrangement of figures and landscape. Degas often utilized unconventional viewpoints, emphasizing the visual contrast between the stillness of the injured figure and the implied speed of the distant riders who continue the race.
This painting reflects the contemporary Parisian fascination with leisure activities and spectacles. Degas’s interest lay in the structure of the event as much as the narrative, treating the steeplechase not merely as a portrait but as an investigation into light, space, and human anatomy under stress. This significant canvas is housed in the collection of the National Gallery of Art. Due to its age and stature as a masterwork, the image has entered the public domain, allowing art historians and enthusiasts to study and acquire high-quality prints of this dynamic scene.