Samuel Masury, Daguerreotypist and Photographer is a detailed wood engraving created by Winslow Homer in 1859. This early work by Homer focuses on the portrait of Samuel Masury, a prominent practitioner of daguerreotypy and an important figure in the burgeoning field of photography in the United States. Homer, who started his career primarily as a commercial illustrator and graphic reporter, demonstrates his developing skill in capturing realistic detail within the restrictive format of the print medium.
Executed just prior to the American Civil War, this illustration reflects the increasing importance of visual documentation and technological novelty during the mid-19th century. The medium of wood engraving, crucial for mass reproduction in periodicals of the time, allowed Homer to distribute detailed images widely. The detailed rendering of Masury emphasizes the meticulousness required for both the photographer's demanding process and the engraver's art. Homer’s decision to focus on a daguerreotypist links this piece directly to the profound shifts occurring in American visual culture as photography began to compete with drawn and engraved illustrations.
Homer’s significant experience creating graphic works, such as this piece classified simply as a print, shaped his later celebrated career as one of America’s foremost artists. This piece of early American graphic arts, Samuel Masury, Daguerreotypist and Photographer, provides insight into the visual economy of the period and the foundational techniques that informed Homer’s later painting practice. Today, this example of early Winslow Homer is preserved within the distinguished collection of the Cleveland Museum of Art.