Saint Simon

Saint Simon by Albrecht Dürer, dating from 1523, is a superb example of the artist’s mastery of the engraving medium. Created late in Dürer’s career, this piece is part of a celebrated series of apostles and saints produced in the final decade of his life, representing the culmination of the German Renaissance master’s approach to printmaking. Dürer utilized the inherent reproducibility of graphic arts to disseminate his detailed theological interpretations across Europe, influencing subsequent generations of artists. The precision of the line work, characteristic of his mature style, allows for an intense psychological study of the subject.

The composition focuses tightly on the figure of Saint Simon, depicted here as one of the most zealous of the apostles. The figure is rendered with deep wrinkles and a heavy cloak, lending a monumental quality to the small-scale print. In keeping with established iconography, the saint is shown holding the instrument of his martyrdom. While Saint Simon is often associated with the saw, in this particular depiction, the broad, bladed weapon he carries resembles a large sword or falchion, which serves as a powerful visual marker of his identity and eventual fate.

Dürer’s profound focus on the individual study of men and strong individual portraiture is evident in this detailed image. The work is significant both for its technical brilliance and its role in popularizing religious iconography through affordable prints. Today, this important piece of graphic art, one of a celebrated series of saints, is housed in the collection of The Metropolitan Museum of Art. Reflecting the institution’s commitment to accessibility, historical prints of this quality are frequently made available through public domain initiatives, ensuring broad access to Dürer’s genius.