Saint Sebastian Tied to a Tree by Albrecht Dürer, created in 1501, is a masterful example of the German Renaissance artist's technical prowess in the medium of engraving. This print depicts the Christian martyr Saint Sebastian, a popular subject in 16th-century art, bound dramatically to a substantial tree trunk. The precision required for engraving allowed Dürer to render minute details in the anatomy of the figure and the texture of the natural environment, setting a high standard for graphic arts in the Northern Renaissance.
Sebastian is shown semi-nude, his youthful body pierced by several arrows, symbolizing his endurance and faith. The powerful modeling of the figure demonstrates Dürer’s advanced understanding of human form, reflecting the classical influence he absorbed during his travels to Italy. The figure of the saint, standing resolute against the trunk of one of the surrounding trees, is rendered with the dense cross-hatching technique characteristic of Dürer’s finest prints, which defines the shadows and contrasts the smooth flesh of the man with the rough bark of the wood. The composition skillfully uses line to convey texture and light, deepening the emotional impact of the martyrdom scene.
This iconic depiction of the saint is renowned for its graphic quality and technical innovation. As one of the most important prints produced early in the 16th century, the work illustrates why Dürer remains one of history's great innovators in the graphic arts. This impression currently resides in the collection of the Metropolitan Museum of Art. Due to the artwork’s age and historical significance, many high-resolution impressions of this classic piece are today available for study via the public domain.