The drawing Roman Senators and Soldiers is attributed either to the celebrated Italian Renaissance master Andrea Mantegna or to an unknown French artist active between 1451 and 1506. Classified as a drawing, this work was executed in pen and brown ink, enhanced with brush and brown wash on cream laid paper. This careful combination of materials allows for meticulous detail in line work, while the application of wash builds modeling and suggests dramatic shadow, characteristic of sophisticated preparatory studies from the period. The technique and approach suggest an artist deeply steeped in the artistic currents of mid to late 15th-century Italy.
The subject matter, focusing on the powerful figures of Roman senators and soldiers, reflects the era’s profound intellectual and artistic fascination with classical antiquity. If this piece originated in Italy and is indeed by Mantegna, it would align closely with his groundbreaking, archaeological approach to visualizing Roman history, perhaps serving as a study for a larger fresco cycle or painting, such as the Triumphs of Caesar. Mantegna was renowned for depicting the gravitas and formal severity associated with ancient Roman life, skills visible in the posture and implied authority of these figures.
While the attribution remains subject to scholarly debate, the quality and historical significance of the drawing are undeniable. This study represents an important example of Renaissance engagement with the ancient world, capturing the architectural and military elements central to classical narratives. The work is held in the collection of the Art Institute of Chicago. Due to its historical importance and age, high-quality digital reproductions are often made available through public domain archives, allowing researchers and enthusiasts globally to study prints of this significant piece.