Revelation of St. John: The Four Destroying Angels by Albrecht Dürer is a powerful German Renaissance woodcut, executed in 1511. This particular piece belongs to the artist's famed series illustrating the Book of Revelation, a defining project that solidified Dürer’s international reputation as a master graphic designer.
The work is drawn from the biblical passage in which St. John witnesses the release of four formidable angels, bound at the river Euphrates, who are commanded to unleash mass destruction upon mankind. Dürer visualizes this apocalyptic event with terrifying clarity and dynamic composition. The four angels, armed with massive, swirling swords, ride across the top of the frame, their speed emphasizing the suddenness of the catastrophe. Below them, humanity reacts with panicked confusion, while St. John kneels in the foreground, recording the terrifying vision unfolding above.
Dürer’s treatment of the woodcut medium revolutionized the practice of graphic prints during the early 16th century. His technical mastery allowed for an unprecedented level of detail and dramatic light-and-shadow effects, pushing the boundaries of what was achievable in relief printing. The strong contrast and meticulous cross-hatching convey both the emotional turmoil and the intricate architecture of the scene.
The widespread dissemination of Dürer's prints throughout Germany and across Europe ensured the lasting influence of the artist's highly dramatic and influential style. This specific work, illustrating the cosmic scale of divine wrath, remains a canonical example of Northern Renaissance art. This historic piece is held in the comprehensive collection of the Cleveland Museum of Art, and its stature ensures that reproductions are frequently available in the public domain for scholarly research.