Reclining Nude, created by Amedeo Modigliani in 1919, is a defining work from the artist’s final, highly productive period. Executed in oil on canvas, this painting epitomizes Modigliani's commitment to the nude figure, a subject he addressed repeatedly in the years immediately preceding his death. The work belongs to a significant series of sensual, yet classically structured, depictions of women that secured Modigliani's lasting reputation among the School of Paris artists. Dating from c. 1919, this piece demonstrates a culmination of the unique stylistic elements the Italian artist developed during his career among the European avant-garde.
Modigliani rejected the fractured forms of Cubism and the intense colors favored by many contemporaries, opting instead for a deliberate simplification of form expressed through elongated features and smooth contours. The nude figure stretches across the canvas, rendered with an economy of line that recalls both Mannerist elongation and the flattened geometry of African sculpture, a pervasive influence in early 20th-century modernism. The model is presented without specific narrative or detailed context, focusing solely on the purity of the form and the subtle, warm coloration of the skin tones set against a simplified, earthy background. Modigliani applied the oil paint in thin, deliberate layers, allowing the composition to emphasize the subject's structure and rhythm rather than realistic texture or intense light play.
This piece stands as a powerful example of Modigliani's contribution to modern art, embodying a unique synthesis of classical grace and modern formalism. It is an essential component of the late career output of Modigliani and highlights his mastery of portraiture and the female form. The work is held in the permanent collection of the Museum of Modern Art (MoMA), where it remains one of the most recognized depictions of the 20th-century nude. Due to the widespread recognition and historical significance of this composition, high-quality prints of the iconic image are frequently available, particularly as source materials often enter the public domain, allowing broad access to Modigliani’s singular vision.