"Rebel Works at Yorktown" by Winslow Homer, executed in 1862, is a potent visual document created early in the American Civil War. Classified as a drawing, this piece utilizes graphite with watercolor on wove paper, a medium that highlights Homer's early role as a visual journalist documenting scenes directly from the front lines for subsequent engraving and mass distribution.
The work belongs firmly to the period of 1851 to 1875, a time of profound national transformation. Homer, embedded with the Union forces, focused here not on combat, but on the enduring structures of war: the Confederate fortifications and defenses constructed near Yorktown, Virginia. The drawing technique, characterized by precise graphite lines detailing the architecture of the earthworks combined with subtle watercolor washes, allowed Homer to capture the structural reality and the atmospheric effect of the site quickly. This combination illustrates the artist’s commitment to visual veracity amidst the turmoil of the conflict.
The subject matter provides a crucial look at the physical toll of the war, revealing how conflict reshaped the landscape with trenches and ramparts. Homer’s observational skill and direct rendering of military life would later inform his more celebrated narrative paintings. This piece is representative of a robust American artistic tradition of war reporting that flourished during the conflict. Recognizing its historical and aesthetic importance, the National Gallery of Art holds Rebel Works at Yorktown in its permanent collection. Due to the work's age and significance, high-quality digital prints derived from the original often fall into the public domain, allowing broader access to this fundamental document of the early war effort.