Putto

The drawing Putto, attributed to a follower or student working after the manner of Raffaello Sanzio, called Raphael Italian, 1483-1520, represents a key period in Italian High Renaissance draftsmanship. Created between 1503 and 1520, this sensitive study of a youthful figure, or putto, exemplifies the idealized classicism perfected by Raphael and his extensive workshop. Such figures, which represent innocence or playful activity, were common motifs in both the sacred and mythological works produced by the master and his studio.

The medium utilized is black crayon, carefully applied and further defined through the subtle application of white chalk highlighting on a surface of tan wove paper. This careful combination of materials allowed the artist to achieve rapid modeling of the figure’s form and volume, emphasizing the youthful musculature and the graceful pose. Such preparatory drawings were essential components in the production process for larger fresco cycles or panel paintings completed by the master and his skilled assistants across Italy.

Though the piece is not definitively from Raphael's own hand, the drawing’s execution faithfully captures his sophisticated drafting style, demonstrating the pervasive influence Sanzio held over the visual culture of his time. This drawing likely served as an important teaching tool or a modello for workshop assistants replicating compositions devised by the prolific High Renaissance artist. As a significant example of early 16th-century Italian drawing, the work is proudly part of the esteemed collection of the Art Institute of Chicago, making the image widely accessible; high-quality prints and digital versions are often found in public domain archives for study and appreciation by contemporary scholars.