Plate one, from A Harlot's Progress

Plate one, from A Harlot's Progress by William Hogarth English, 1697-1764, initiates the artist’s groundbreaking narrative cycle detailing the rapid moral decline and ultimate tragedy of the protagonist, Moll Hackabout. Executed in 1732 as a copperplate print, this piece is pivotal in Hogarth’s career, establishing him as the foremost visual satirist and moralist of 18th-century England. The use of the print medium allowed Hogarth to disseminate his critical social commentary widely to a growing middle-class audience.

This opening scene depicts the moment of Moll's arrival in London, fresh from the country and unaware of the city’s inherent dangers. Hogarth immediately contrasts her naive appearance with the sinister figures surrounding her, including the notorious procuress, Mother Needham, and a lecherous clergyman. The composition serves as a stark warning, illustrating the pervasive corruption that preyed upon vulnerable newcomers. This narrative structure, told through sequential prints, was revolutionary, serving as a template for subsequent graphic series and influencing genres from comic strips to modern visual storytelling.

The immense cultural impact of A Harlot's Progress stemmed from its direct engagement with contemporary urban life and moral failing. Hogarth utilized strong visual drama and intricate detailing to ensure his critique resonated deeply with the public. Because this essential work is now historically and culturally significant, high-quality images and prints often fall into the public domain, ensuring global accessibility for study. This specific copperplate impression is a significant item within the permanent collection of the Art Institute of Chicago.