Peter and John Healing the Cripple at the Gate of the Temple

Peter and John Healing the Cripple at the Gate of the Temple by Rembrandt van Rijn is a profound example of the artist's mastery of printmaking, executed in 1659. This depiction of a biblical miracle utilizes a complex combination of etching, engraving, and drypoint, showcasing Rembrandt’s sophisticated command of these media to achieve unparalleled tonal depth. The particular example housed at the Metropolitan Museum of Art is identified as the second of six known states, documenting the artist’s iterative process in developing the final composition.

The subject is drawn from the Acts of the Apostles, illustrating the pivotal moment where Saint Peter, accompanied by John, encounters a man crippled from birth begging for money at the Beautiful Gates of the Temple. Instead of offering alms, Peter performs a healing miracle, declaring, "Silver and gold have I none; but such as I have give I thee: In the name of Jesus Christ of Nazareth rise up and walk." Rembrandt powerfully isolates this moment of divine intervention against the towering architecture of the Temple’s structure. The use of intense shadow and stark highlight emphasizes the contrast between the grandeur of the setting and the simple, human act of faith occurring between the men.

This significant print is part of the renowned collection of works on paper held by the Metropolitan Museum of Art. As a leading example of 17th-century Dutch graphic arts, Rembrandt's portrayal of this biblical event continues to be studied extensively. Like many of the artist's surviving prints, this piece remains a foundational reference for art historians, and high-quality representations of the work are often available through public domain initiatives for researchers globally.