Peasants Going to Work

"Peasants Going to Work," created in 1863 by Jean François Millet (French, 1814-1875) and printed by Auguste Delâtre, is a powerful example of 19th-century French Realism captured through the demanding medium of print. The work utilizes etching and drypoint on tan laid paper, techniques that allowed Millet to achieve both fine detail and expressive, painterly effects. The artist’s choice of medium underscores his commitment to depicting the dignity and relentless toil of rural labor, a theme central to his artistic output during this turbulent period in France.

The image focuses intently on two figures walking toward the foreground, perhaps symbolizing the perpetual cycle of necessary agricultural work. The rough, abbreviated lines, especially pronounced through the drypoint method, emphasize the weariness and grounded nature of the subjects, positioning them firmly within the natural world. While known primarily for his large-scale oil paintings, Millet dedicated significant energy to producing smaller prints, ensuring that these potent images of the peasantry were accessible to a wider audience. The exceptional quality of the impression, achieved through the close collaboration with master printer Auguste Delâtre, showcases the rich tonality and dramatic shadowplay possible in expert etching.

Millet consistently championed the depiction of working-class subjects, often drawing sharp criticism from contemporary critics who favored classical or historical themes. This dedication placed him at the forefront of the shift toward Realism in France, focusing attention on contemporary social issues rather than idealized narratives. This specific impression is preserved in the permanent collection of the Art Institute of Chicago, providing scholars and the public access to important 19th-century French prints, many of which are now available in the public domain for study and appreciation of this crucial period in art history.