Peasant Pushing A Wheelbarrow is an etching created by Jean-François Millet in 1855, capturing the essential nature of rural labor during the mid-nineteenth century. This sensitive work depicts a solitary working man struggling against the invisible weight of his task, his body bent into the strenuous posture required to propel the loaded wheelbarrow forward. The image was produced using brown/black ink applied to chine collé, a specialized printing technique where a thin, prepared sheet of paper is carefully affixed to a heavier backing sheet during the impression process. This specific example is critically important as it represents the first state out of four, showcasing the composition at its initial, published stage before subsequent modifications were made by the artist.
Millet was a central figure in the French Realist movement and the Barbizon School, celebrated for consistently elevating the lives of peasants and farmers to the level of serious fine art. Instead of romanticizing the French countryside, Millet focused keenly on the physical exertion and inherent dignity of daily working men. The detailed linear work and deep shadowing evident in this piece exemplify his commitment to realism during a period of intense social and economic transition in France. The enduring quality of Millet’s graphic works and prints ensures their continued relevance, and today, due to the age of the original, high-quality public domain images of the work are widely available. This significant piece resides in the esteemed prints collection of the Metropolitan Museum of Art.