Paul before Felix, created by William Hogarth in 1752, is a significant example of British printmaking from the mid-eighteenth century. Classified as a Print, this detailed work was executed using the demanding combination of etching and engraving. Hogarth utilized these techniques to achieve a high degree of tonal complexity and clarity, qualities ideally suited for illustrating historical narratives.
This print captures the dramatic moment from the biblical book of Acts (Chapter 24), depicting the Apostle Paul on trial before the Roman governor Antonius Felix and his wife Drusilla. The composition highlights the tension between the eloquent defense offered by Paul and the skeptical authority represented by the Roman official. Hogarth was active during the period spanning 1751 to 1775, a transformative era for British art, and although he is perhaps best known for his satirical "modern moral subjects," this piece demonstrates his continuing engagement with classical and religious themes. Hogarth’s approach in this instance is solemn and formal, distinguishing it from his more broadly comedic social critiques.
As a master of graphic arts, Hogarth produced countless works that circulated widely, making his prints highly influential across Europe. The precision required for this type of detailed engraving ensured the widespread dissemination of religious and historical imagery. This specific impression of Paul before Felix resides in the permanent collection of the National Gallery of Art, Washington D.C. Today, high-quality images of this historical work, like many of Hogarth’s late-period works, are frequently available for study or appreciation through public domain art initiatives.