Outskirts of Rome

The print Outskirts of Rome was created in 1866 by the celebrated French landscape artist Jean-Baptiste-Camille Corot. This exceptional piece is an etching, a classification of printmaking that Corot explored extensively later in his career, often revisiting subjects from his established painting practice in this graphic medium. The intricate details were realized through the collaboration of master printer Auguste Delâtre and the publisher Cadart et Luquet, Editeurs, underscoring the exacting standards of mid-19th-century French print production. The final image is printed on delicate ivory China paper, which has been carefully laid down on a heavier white wove paper support.

Although primarily working in France, Corot’s artistic identity was profoundly shaped by his extensive travels to Italy. Scenes derived from these journeys, particularly views near Rome, became central themes in his oeuvre. This 1866 work captures a tranquil, almost contemplative, view of the landscape bordering the historic city, characteristic of Corot’s mature style. His mastery lies in using the etching needle to create subtle tonality and atmospheric effects, demonstrating his commitment to elevating the print medium beyond simple illustration toward independent artistic expression.

As a significant example of French prints created during the etching revival of the 1860s, this work reflects a key moment in the history of 19th-century art. The nuanced detail and historical importance of this etching are preserved in the permanent collection of the Art Institute of Chicago, where it serves as a key representation of Corot’s graphic output. Today, high-resolution reproductions of this print are often available to scholars and the public through various open-access and public domain initiatives.