Outskirts of Rome

Outskirts of Rome is an evocative print created by Jean-Baptiste-Camille Corot French, 1796-1875, in 1866. Though primarily celebrated for his oil paintings, Corot was a significant figure in the resurgence of etching in France during the mid-19th century. This particular work, classified as a print, utilizes the challenging technique of etching executed on delicate ivory Japanese paper. This specialized paper choice enhances the luminosity and tonal range captured in the image, characteristic of Corot's preference for soft, atmospheric effects.

The subject reflects Corot’s decades-long affinity for Italian scenery, specifically the periphery of the ancient city where nature and ruins intersect. While created late in his career, the piece recalls the studies and sketches Corot made during his influential youthful travels to Italy. The scene focuses less on grand architectural monuments and more on the quiet, often overlooked beauty of the Roman campagna. Corot's careful use of line and shadow establishes a deep sense of atmosphere, positioning the work firmly within the Romantic landscape tradition that dominated French art of the period.

This example of Corot’s graphic output demonstrates his versatility beyond painting. The Art Institute of Chicago holds this significant impression, recognizing its importance as both a technical achievement and a classic example of Corot’s vision. Prints such as this provide invaluable insight into the methods of the master, making the work available for study. Like many important historical prints from this period in France, the image is often referenced, and high-quality representations are sometimes available for research or study through public domain initiatives.