Otra locura suya en la misma plaza (Another Madness of His in the Same Ring)

Otra locura suya en la misma plaza (Another Madness of His in the Same Ring) by Francisco Goya, executed in 1816, represents the artist’s mature exploration of human conflict and irrationality through the medium of printmaking. This particular work is a first edition impression, created using a highly sophisticated combination of etching, burnished aquatint, drypoint, and burin. Goya skillfully manipulated these processes to achieve a wide range of tonal values and rich textural depth, characteristic of his later, darker prints.

The composition places the viewer in a chaotic public setting, likely a bullring or town square, where figures are depicted in states of frenzy or distress. Produced during the period spanning 1801 to 1825, this piece reflects the turbulent socio-political climate of Spain following the Peninsular War. Goya, the towering figure of Spanish art during this era, often focused on themes of superstition, violence, and institutional madness in his graphic works. The stark contrast afforded by the aquatint technique highlights the drama of the scene, forcing focus onto the central figures and their unsettling interaction. This print, classified as part of a significant portfolio, showcases Goya’s ability to move beyond simple documentation to profound psychological commentary.

As a masterful example of the artist’s work in the early 19th century, this piece demonstrates why Goya remains one of history’s most influential graphic artists. The work resides in the esteemed collection of the National Gallery of Art, where it serves as a key reference point for scholars studying European printmaking. Due to its age and status as a critical piece of the Spanish cultural heritage, high-quality images of this print are often available in the public domain for research and appreciation.