On the Waves of Love

"On the Waves of Love" by Edvard Munch (Norwegian, 1863-1944), printed by the German master Otto Felsing, is a powerful example of Symbolist printmaking created in 1896. This profound expression of psychological tension was realized using burnished aquatint and drypoint on heavy wove, cream paper, demonstrating Munch’s mastery of graphic media during a crucial phase of his career.

Munch was deeply involved in exploring universal human experiences, such as passion, anxiety, and isolation, often integrating these into his landmark series, The Frieze of Life. Although rooted in Norwegian culture, his prints quickly gained international recognition for their raw emotionality and stark compositional clarity. The intense subject matter of On the Waves of Love utilizes the dramatic contrast inherent in the aquatint technique to create deep shadows and luminous forms, emphasizing the volatile, powerful nature of human connection. The drypoint lines add a delicate, energetic tension that complements the broad tonal washes.

As one of the most important graphic works produced during this highly experimental period, this piece solidifies Munch’s legacy as a pioneering graphic artist. The meticulous craftsmanship is evident, showcasing the collaboration between Munch and Felsing, one of the era’s most respected printers. The work is currently held in the esteemed collection of the Art Institute of Chicago, offering scholars access to a key moment in modern art history. Many high-resolution images of the artist’s pivotal prints are now in the public domain, allowing for wider study of Munch's seminal contribution.