Old Man Shading His Eyes with His Hand is a powerful example of graphic art created by Rembrandt van Rijn in 1639. Executed using the complementary techniques of etching and drypoint, this small but impactful print showcases the artist’s unparalleled mastery in manipulating line, shadow, and tone. During the prolific period of 1601 to 1650, Rijn elevated the status of printmaking in Europe, utilizing the capabilities of drypoint to create rich, velvety blacks and deep shadows. The subtle burr left by the drypoint needle on the copper plate lends the piece a distinctive, painterly quality that separates it from pure etching.
The subject, an elderly man seen in a half-figure format, is captured in a moment of natural, observed action. His hand is raised to shield his eyes from a strong, unseen light source, an action that allows Rijn to explore dramatic contrasts. This reinforcement of intense chiaroscuro is characteristic of the artist’s broader oeuvre. This focus on immediate emotional or physical states, often applied to unnamed figures or character studies known as tronies, was a significant trend within the Dutch art of the Golden Age. Rijn was perpetually fascinated by the expressive potential of the aged face, using these subjects to master both human psychology and the effects of directional light.
As one of the most significant works among the vast catalogue of Rijn's graphic output, this work offers profound insight into the evolution of 17th-century techniques. The image resides in the collection of the National Gallery of Art, forming an integral part of their extensive holdings of master prints. Due to its historical importance and status, this powerful image often falls into the public domain, ensuring its continued study and wide appreciation globally.