Odalisque, created in 1868 by the influential French artist Édouard Manet French, 1832-1883, is a superb example of the artist’s mastery of graphic arts. This striking piece is classified as a print, utilizing the complex intaglio processes of etching combined with aquatint. The image is rendered in a rich, warm black ink on buff wove paper, showcasing Manet’s experimental approach to tonality and texture within the demanding medium of printmaking.
The subject matter refers to the traditional European trope of the odalisque, or reclining concubine, a sensual genre popularized during the Romantic era. However, consistent with his revolutionary approach to modern life and art, Manet often reinterpreted these historical types with a directness that challenged academic expectations. This print was executed during a period of intense artistic ferment in France, where artists were pivoting away from classical forms toward Impressionism and Realism. The composition suggests the artist's ongoing dialogue with masters of the past, whom he frequently referenced through his graphic work.
While known primarily for his groundbreaking paintings, Manet utilized printmaking as a crucial avenue for the exploration and dissemination of his ideas. The subtle variations in tone achieved through the aquatint process lend a sophisticated, painterly quality to the final image. This important work is held in the permanent collection of the Art Institute of Chicago. As a historical artwork, high-resolution reproductions and prints derived from this piece are frequently found in public domain archives, allowing wider access to the graphic legacy of one of France's most pivotal 19th-century figures.