Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso)

Nude Soldiers Gesticulating with Their Weapons (recto); Two Drapery Studies for the Figure of Tatius (verso) is a pivotal preparatory drawing by the influential Neoclassical master Jacques-Louis David (French, 1748–1825). Executed between 1796 and 1797, this double-sided study on cream laid paper reveals David’s rigorous approach to composing historical narratives, likely serving as a study for his monumental painting, The Intervention of the Sabine Women.

The recto side of the sheet, utilizing black chalk and pen and black ink, augmented by touches of white chalk, features a dynamic study of two athletic male figures. Their nudity and dramatic, aggressive gesticulations with weapons emphasize classical ideals of bodily perfection and martial valor. This focus on anatomical precision and powerful composition was characteristic of the leading art produced in France during the revolutionary period and the subsequent Directory.

The verso offers two focused studies of drapery, specifically intended for the figure of Tatius, the king of the Sabines. These detailed examinations, rendered in black chalk with supplementary touches of red and white chalk, demonstrate David’s meticulous process of refining monumental forms before transitioning to oil paint. The use of drawing as a crucial exploratory stage underscores the technical discipline of the Neoclassical school.

As a significant example of French draftsmanship from the late 18th century, the work showcases the foundation of the artist’s mature style. This remarkable piece is held in the collection of the Art Institute of Chicago, where it serves as an important resource for understanding David's compositional method. Although the original drawing is a unique artifact, the widespread dissemination of high-quality prints ensures that the preparatory genius of David remains accessible to scholars and enthusiasts of classical art history globally.