Noon by William Hogarth, print, 1738

Noon

William Hogarth

Year
1738
Medium
etching and engraving
Dimensions
sheet: 48.9 × 39.6 cm (19 1/4 × 15 9/16 in.)
Museum
National Gallery of Art

About This Artwork

Noon is a significant etching and engraving created by William Hogarth in 1738. This print is one of the four plates comprising his renowned series, Four Times of the Day, which offers a potent satirical examination of daily life and moral conduct in the bustling streets of Georgian London. Executed using the dual processes of etching and engraving, Hogarth meticulously rendered the chaos of the urban environment, a tradition rooted firmly within the British printmaking movement of the period spanning 1726 to 1750. The technical complexity of the piece demonstrates Hogarth’s skill not only as a draughtsman but also as a master printmaker capable of producing detailed, widely distributed, and affordable images for a burgeoning middle-class audience.

Hogarth utilized this accessible medium to explore contemporary social issues and provide moral instruction through visual narratives. Unlike traditional history painting, this work focuses on the detailed, often biting, observation of everyday behavior. In Noon, the artist juxtaposes different social strata, highlighting the stark cultural and economic divisions and the occasional public disorder resulting from urban concentration during the busy mid-day hours. Hogarth’s powerful narrative style frequently incorporated visual humor, subtle caricature, and symbolic details, compelling the viewer to scrutinize the perceived moral shortcomings and superficiality of the characters portrayed.

The cultural importance of this piece lies in its documentation of early 18th-century British society and its establishment of Hogarth as the foremost narrative artist of his time. This specific focus on genre scenes and narrative sequence influenced subsequent generations of satirists and genre painters across Europe. As an enduring example of British graphic art and social critique, the print is preserved in the comprehensive collection of the National Gallery of Art, Washington D.C. Given its age and historical impact, this influential example of 18th-century art often exists in the public domain, ensuring its continued study and accessibility for scholars worldwide.

Cultural & Historical Context

Classification
Print
Culture
British
Period
1726 to 1750

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