Mr. and Mrs. Alexandre Natanson Invitation by Henri de Toulouse-Lautrec, print, 1895

Mr. and Mrs. Alexandre Natanson Invitation

Henri de Toulouse-Lautrec

Year
1895
Medium
lithograph in olive green and gray
Dimensions
Unknown
Museum
National Gallery of Art

About This Artwork

The Mr. and Mrs. Alexandre Natanson Invitation, created by Henri de Toulouse-Lautrec in 1895, is a masterful example of the artist’s work in the realm of fine art prints. Executed as a lithograph primarily using olive green and gray inks, this piece showcases the delicate technique and graphic economy characteristic of French printmaking during the pivotal period of 1876 to 1900. Unlike Toulouse-Lautrec's large-scale commercial posters, which utilized bold color and dramatic contrast for maximum public impact, this work demonstrates a sophisticated application of subtle tonality and line suited for an intimate, private commission.

Alexandre Natanson and his wife, Misia Godebska, were central figures in the Parisian avant-garde, known for their patronage of artists and their publishing of the highly influential journal, La Revue Blanche. Toulouse-Lautrec was a frequent guest and contributor to their intellectual and social circle, and this invitation reflects the deep interconnections between the artist and his aristocratic and bohemian patrons. The lithograph serves not merely as an announcement but as a highly stylized visual signature of the couple's social influence. Toulouse-Lautrec’s compositions often capture fleeting, candid moments of modern life, and even in this formalized context, he imbues the represented figures with a distinctive, recognizable personality.

This highly sought-after print highlights Toulouse-Lautrec's enduring legacy as a keen chronicler of late 19th-century French society. The print form allowed for wider distribution and solidified the artist’s reputation as a graphic master equally adept at commercial design and personal fine art expression. Today, this historically significant piece is part of the extensive collection of the National Gallery of Art, offering scholars and the general public access to original works by the post-impressionist master. Because of its age and status as a work held by a major institution, high-resolution reproductions of classic prints such as this are frequently made available through the public domain for study and appreciation.

Cultural & Historical Context

Classification
Print
Culture
French
Period
1876 to 1900

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