The influential Post-Impressionist master Henri de Toulouse-Lautrec created Miss Loïe Fuller in 1893. This essential work of modern graphic design is a masterful example of a color lithograph. The chosen medium, a form of artistic printing, allowed Toulouse-Lautrec to capture the energy and atmosphere of the vibrant cultural scene in France at the turn of the century. As a key figure documenting Parisian entertainment, Lautrec often focused his keen observational eye on the celebrated performers who defined the fin-de-siècle era, and Loïe Fuller was among the most innovative.
The lithograph captures the American dancer, Loïe Fuller, during one of her revolutionary stage performances. Fuller (1862-1928) captivated French audiences with her unique Serpentine Dance. She employed elaborate silk costumes and sophisticated colored lighting technology to transform herself into luminous, abstract forms, essentially pioneering modern performance art. Toulouse-Lautrec skillfully utilized the specific qualities of the lithographic process, employing broad fields of color and dynamic, expressive line work to convey the motion and ethereal glow of Fuller’s spectacle.
These colorful, mass-produced works elevated poster art into a high artistic classification within the world of prints. The expressive quality of this lithograph cemented Toulouse-Lautrec’s reputation as the critical visual chronicler of late 19th-century Paris. This important impression of Miss Loïe Fuller is held in the permanent collection of the Cleveland Museum of Art, where it serves as a crucial reference point for the study of French graphic arts and modern performance documentation.