The print Mishandeling van werkdieren by William Hogarth, created in 1751, offers a powerful and unflinching indictment of the animal cruelty prevalent in 18th-century Britain. This detailed work, executed as a print on paper, serves as a quintessential example of Hogarth's commitment to moral satire and social reform. Through dramatic staging and emotive figures, the artist utilizes the accessible medium of printmaking to disseminate his critical views widely, targeting the general public rather than solely elite patrons.
Hogarth’s intent often centered on exposing the degradation of human character through specific immoral acts. In this piece, the focus shifts to the mistreatment of working animals, such as horses or oxen, illustrating scenes of violence that were unfortunately common on city streets during the Georgian period. The print belongs to a period of intense public discourse regarding humane treatment and legislation.
As a master of didactic art, Hogarth relies on clear narrative and sharp visual cues to deliver his moral lesson. The effective use of line and shadow emphasizes the suffering depicted, compelling the viewer to confront the brutality of the abusers.
This significant example of 18th-century British artistic commentary is preserved in the collection of the Rijksmuseum. Due to the historical importance and age of the artist's extensive output, many of these influential prints are available through public domain collections, ensuring global access to Hogarth’s essential critiques of injustice and immorality.