Mask of Fear by Paul Klee is a potent oil on burlap painting created in 1932. This significant German work reflects the growing anxiety and political turbulence gripping Europe at the time. Klee, who was then teaching at the Düsseldorf Academy, was highly attuned to the rapid political destabilization and the rising threat of the Nazi regime, a pervasive tension often articulated in his output during this period. The choice of rough burlap as a support contributes a gritty, textural severity to the composition, reinforcing the distressed nature of the subject matter.
The painting utilizes Klee’s characteristic approach of simplified, almost primitive forms and controlled linear drawing overlaid upon layered color fields. The central image is a haunting, rudimentary face or mask, defined by dark, vertical slashes that represent the eyes and mouth. These basic features suggest a silent cry or visceral dread, abstractly embodying the psychological state of fear. Unlike Klee’s earlier, more lyrical and playful abstractions, this piece displays a stark, limited palette dominated by ochres, muted browns, and dark reds, emphasizing the gravity and seriousness of its theme.
This influential canvas currently resides in the collection of the Museum of Modern Art (MoMA) in New York. The gravity of the subject matter links directly to Klee's eventual forced dismissal and departure from Germany the following year, marking Mask of Fear as an important visual document of personal and national crisis in 1932. As a foundational work of modern German Expressionism, the image remains highly influential, and high-quality prints of the painting are frequently studied and distributed, often entering the wider sphere of educational public domain materials.