Madonna Queen of Angels

The Madonna Queen of Angels is a pivotal work of graphic art created by Albrecht Dürer German, 1471-1528 in 1518. Executed as a demanding woodcut technique in black ink on ivory laid paper, this print exemplifies the technical sophistication achieved by the German Renaissance master. Dürer was instrumental in elevating the woodcut, traditionally viewed as a more utilitarian medium than engraving, into a vehicle for profound compositional and theological ideas.

The work features the Virgin Mary in a celestial setting, attended by numerous airborne angels or putti, confirming the title, Madonna Queen of Angels. Produced just prior to the full upheaval of the Reformation, the piece demonstrates Dürer’s ongoing engagement with traditional Marian iconography, even as Northern European art began to grapple with emerging secular and reformist themes.

Despite the monochromatic necessity of the woodcut medium, Dürer’s mastery is evident in the dynamic line work, meticulous cross-hatching, and precise rendering of drapery and volume. This detailed approach to composition solidified Dürer’s reputation as the preeminent printmaker in Germany. The creation of affordable, reproducible prints allowed Dürer’s immense artistic influence to spread rapidly across Europe, making him arguably the first internationally recognized artist of the early modern period.

As one of the most celebrated prints from the era, this composition speaks volumes about early modern art dissemination. Due to their age and historical importance, such masterworks often fall into the public domain, allowing for broad study and appreciation. This excellent impression of the 1518 print resides in the esteemed collection of the Art Institute of Chicago.