The painting Madonna and Child was executed by Titian (Tiziano Vecellio) between 1503 and 1513. This pivotal early work, rendered in oil on wood, is a foundational example of the sacred imagery that would define the Venetian High Renaissance. Titian, still establishing himself in the first decades of the 16th century, likely absorbed influences from masters like Giovanni Bellini and Giorgione, focusing on a deeply humanistic interpretation of the traditional subject matter.
The technical brilliance evident in the application of oil paint allows Titian to achieve the richness of color and atmospheric softness characteristic of the Venetian school. While the composition maintains a degree of formal piety, the subtle interaction between the Virgin and Christ child imbues the piece with tender realism, moving beyond purely iconic representation. This engagement with the emotional reality of the figures would become a hallmark of Titian’s developing style.
This significant early Renaissance painting is currently held in the permanent collection of the Metropolitan Museum of Art. The enduring appeal of the Madonna and Child composition ensures its continued study and visibility worldwide. Due to its age and historical importance, the imagery of this artwork has entered the public domain, allowing institutions and enthusiasts to access high-quality images. Consequently, prints and reproductions of this foundational piece by Titian remain widely available for art appreciation and scholarly reference.
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