"Ma Jolie," painted by Pablo Picasso in 1911, is a seminal oil on canvas work that stands as a definitive achievement of Analytical Cubism. Created during the intense collaborative period between Picasso and Georges Braque, this piece was finalized during the winter of 1911-12 in Paris, marking a peak moment in the artists' joint effort to shatter traditional representational space. The Spanish artist deliberately restricted his palette to monochromatic tones of brown, gray, and ochre, forcing the viewer to focus entirely on the structure and shifting planes of the composition rather than on color or external reality.
The title, which translates to "My Pretty One," was inspired by a popular French song and served as a pet name for Picasso's then-partner, Marcelle Humbert (Eva Gouel). Although the painting depicts a figure, likely a woman seated and playing a string instrument, the subject is rendered nearly indecipherable through extreme fragmentation. Picasso dissects form into a network of shifting, transparent facets that merge with the surrounding space, maintaining stability through the use of an underlying, rigid geometric grid. Subtle visual cues, such as the inclusion of the stenciled lettering "MA JOLIE" and faint musical staff lines, serve as anchors to the tangible world and counteract the extreme abstraction of the figure.
This painting exemplifies the rigor of Analytical Cubist methods, showcasing Picasso’s mastery of simultaneously representing multiple viewpoints. As one of the most historically important paintings documenting modern art's break with the Renaissance tradition of perspective, Ma Jolie remains a crucial object for scholarly study. The canvas currently resides in the distinguished collection of the Museum of Modern Art (MoMA) in New York. Given the work's influence, high-quality images and prints detailing this revolutionary phase of Picasso's career are widely available, supporting global access to modern art history and research into public domain works.