Louise Balthy, from Treize Lithographies is a compelling lithograph created by Henri de Toulouse-Lautrec (French, 1864-1901) in 1898. This specific print, executed on cream wove paper, showcases Lautrec's extraordinary command of the graphic arts, a medium he utilized to capture the inner lives of Parisian figures during the Belle Époque. Lautrec was a crucial figure in the transition of artistic focus in France during the late 19th century, moving away from idealized academic subject matter toward intimate, observational reportage.
The artist frequently chronicled the world of the theater and demimonde, and Louise Balthy exemplifies his talent for swift, psychologically penetrating portraits. The work belongs to the suite Treize Lithographies (Thirteen Lithographs), demonstrating the growing importance of fine art prints in reaching a broader public. Technically, Lautrec employs the lithographic process to achieve sharp, fluid lines and subtle tonal variations, favoring a sparse composition that emphasizes the character and expression of the sitter. This artistic choice was foundational to the aesthetic of modern French printmaking.
As a high-profile example of late Post-Impressionist graphic design, this valuable print resides in the permanent collection of the Art Institute of Chicago. Due to its status and age, the original image contributes significantly to public domain archives and is frequently reproduced for educational use, securing Lautrec’s legacy as a master observer of modern life.
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