Lieven Willemsz. van Coppenol, writing master: the larger plate

Lieven Willemsz. van Coppenol, writing master: the larger plate by Rembrandt van Rijn, executed in 1658, stands as a premier example of 17th-century Dutch portraiture rendered through the medium of the print. This particular impression is notable for its classification, created on a sheet of delicate Japanese paper. Rembrandt frequently experimented with expensive and exotic handmade papers to maximize the tonal depth and richness of his etchings and drypoints.

The subject, Lieven van Coppenol (c. 1599-1671), was a celebrated writing master and calligrapher in Amsterdam, whose skill in elegant script was highly sought after. Rijn depicted the master in a seated pose, likely contemplating his work or preparing his instruments. The composition focuses intimately on the sitter, utilizing deep shadow and subtle illumination to draw attention to his reflective expression.

Rijn’s technical mastery of drypoint and etching is evident in the subtle transitions of light and shade across Coppenol’s face and the detailed rendering of his surroundings. The use of specialized paper, such as this costly Japanese variety, was reserved for the finest states of the image, allowing the drypoint burr to hold extra ink and provide a distinct, velvety texture unavailable on standard European papers.

This mature work illustrates the social and artistic prestige attached to high-quality printmaking during the Dutch Golden Age. While numerous prints by Rijn are globally accessible today, the specific material quality and condition of this impression offer unique art-historical insight. This definitive example of Lieven Willemsz. van Coppenol, writing master: the larger plate is preserved in the prestigious collection of the Rijksmuseum.