Les Pieds nickelés is a significant color lithograph created by Henri de Toulouse-Lautrec French, 1864-1901, in 1895. Executed on cream wove paper, this print exemplifies the artist's masterful application of lithographic techniques that were fundamental to late 19th-century French visual culture.
As a leading figure in post-Impressionist graphic arts, 1864-1901 was instrumental in elevating the commercial poster and the reproductive print to the level of fine art. The complex medium of the color lithograph allowed him to achieve striking effects using simplified shapes and expressive outlines, capturing the energy and unique atmosphere of Parisian life in France. While the specific identity of the figures depicted in Les Pieds nickelés (which translates loosely to "the fastidious ones" or "the dainty feet") is not known, the composition reflects Lautrec's characteristic focus on movement, often portraying dancers, performers, and clientele from cabarets and theaters.
The work employs the dynamic, sometimes jarring perspectives and bold chromatic relationships that define the artist’s oeuvre. By focusing on rapid visual communication, Toulouse-Lautrec’s prints served as revolutionary documents of modern urban society. This piece, categorized under the Classification of Print, is currently housed in the permanent collection of the Art Institute of Chicago. The preservation of these iconic French works ensures the continued study of how mass-produced prints influenced modern aesthetics and graphic design. Many similar historical prints, once restricted, are now frequently made available through public domain initiatives for academic research and public enjoyment.