The work Landschap met huis by Edvard Munch dates to 1908, a crucial year in the artist's turbulent career. Classified specifically as a print, this piece utilizes paper as its support, showcasing Munch's continued mastery of graphic techniques beyond his celebrated paintings. Though the specific printing method is not detailed, Munch was highly proficient in both lithography and woodcut, often using the unique textures of these processes to enhance the emotional and structural content of his scenes.
The subject matter, a depiction of a landscape featuring a prominent house, allows Munch to apply his distinctive expressive line work and perspective. Even in seemingly calmer studies such as this, Munch often instilled a sense of isolation or melancholy into the composition. The dwelling, situated within the broader natural setting, acts as a clear focal point, reflecting the artist’s persistent preoccupations with solitude and structure during the restless period leading up to his voluntary institutionalization late that year.
This important example of Munch’s graphic production highlights his proficiency in creating impactful compositions through limited means. Created shortly before his intensive treatment and subsequent return to Norway, the work serves as a document of his artistic output during a transitional phase. This significant print is currently housed in the collection of the Rijksmuseum, contributing to the museum's extensive holdings of modern European master prints. As a historic work, reproductions of many of Munch’s later prints are now frequently made available through public domain collections worldwide.