Landscape, Vichy is a significant drawing created by Jean-François Millet between 1861 and 1872. This powerful study exemplifies the artist’s mature work in the landscape genre, classifying it as a finished drawing rather than a preparatory sketch. The complexity of the technique is noteworthy: Millet first defined the composition using graphite, then applied pen and highly characteristic brown iron gall ink for structure and definition. The finishing layers incorporate delicate brushwork with brown and green washes, expertly used to establish textural contrasts and atmospheric depth.
Millet, although primarily renowned for his monumental depictions of peasant life, frequently turned to detailed landscape studies later in his career. This specific work captures a serene, detailed view of the countryside near Vichy, focusing heavily on the dense grouping of trees that dominate the scene. The subtle layering of the wash allows the artist to render the foliage with both atmospheric softness and precise structural detail. The dark, expressive lines created by the iron gall ink grant the ancient trees an imposing physical presence, subtly contrasted by the green wash used to define the summer environment.
This impressive piece demonstrates Millet’s dedication to capturing the nuances of the natural world through the exacting medium of ink and wash. The work resides within the extensive holdings of drawings at the Metropolitan Museum of Art, New York. As a historical masterwork, this valuable piece is widely studied and reproduced, and high-quality prints and digital reproductions of the drawing are frequently available through various public domain resources globally.