The painting, Landscape, is an expressive oil on canvas attributed jointly to an Anonymous Artist and Vincent van Gogh. Executed between 1925 and 1928, this piece presents a fascinating case study in art historical attribution, particularly given the dating which postdates the life of Gogh. It is currently held within the permanent collection of the National Gallery of Art, serving as a point of reference for studying the ongoing impact of early modern movements.
The technique involves the application of oil paint directly onto the canvas, showcasing textures and brushwork reflective of early twentieth-century approaches to landscape painting. Although the culture of origin is cataloged as Unknown, the style aligns with the broader artistic currents that defined the period, specifically those emerging immediately after the influential years of 1901 to 1925. The work stands as a testament to the continued resonance of Post-Impressionist aesthetics long after the movement’s pioneers had passed.
The unusual dual attribution and the complex dating raise questions regarding authorship; the listing perhaps indicating a foundational work that was long believed to be by the Dutch master, later reassessed, or a deliberate stylistic homage. Regardless of the exact identity of the creator, this painting contributes to the National Gallery of Art’s comprehensive survey of modern art.
As a significant example of artistic influence and historical ambiguity, the work is frequently studied by researchers examining the legacy of Post-Impressionism. High-quality prints and reference materials related to this canvas are available, often sourced from open access resources that document art within the public domain.