Kruisiging

The Kruisiging (Crucifixion), created by Albrecht Dürer in 1510, is a masterful example of German printmaking from the Northern Renaissance. Executed on paper, this classification confirms the work as one of the graphic pieces for which Dürer gained international renown. The technique, whether engraving or woodcut, showcases Dürer’s exceptional skill in manipulating line to achieve profound tonal variation, texture, and emotional depth, characteristic of his output during this highly productive period.

The subject matter, the Crucifixion of Christ, was central to religious devotion in early 16th-century Germany. Dürer’s interpretation typically focuses on the moment of sacrifice, often surrounded by the grieving figures of the Virgin Mary, St. John the Evangelist, and sometimes additional Roman soldiers or onlookers. This type of print was crucial for disseminating sacred imagery, allowing powerful religious narratives to reach a wide audience beyond the elite who could afford paintings.

Dürer fundamentally influenced the trajectory of prints in European art, elevating the medium from simple illustration to a high art form. The powerful clarity and precision evident in this piece cemented his reputation across the continent. This significant work is preserved within the esteemed collection of the Rijksmuseum in Amsterdam. As a historical artifact of this age, this particular Dürer print is often categorized as public domain material, ensuring that high-quality images and reproductions remain accessible globally for study and appreciation.