Kamel (in rhythm. Baumlandschaft), 1920, is a pivotal early work by Paul Klee, created during the transitional phase just before his influential tenure at the Bauhaus school began. The title, translating to 'Camel (in rhythm. Tree landscape),' immediately cues the viewer to the artist's focus on formal structure and underlying natural cadence.
This painting demonstrates Klee's sophisticated technical experimentation of the period, executed using oil and ink applied to a chalk ground laid over gauze, which is meticulously mounted on cardboard. The resulting surface texture enhances the abstract, rhythmic patterns used to depict the camel and the surrounding vegetation. Klee was not interested in realistic depiction; rather, he distilled the subject matter into essential shapes and color fields, emphasizing the inherent musicality within the landscape. This approach aligns the work with key intellectual currents of early German Expressionism and nascent European abstraction.
The reverse side of the piece holds further art historical interest, featuring an unfinished color study that illuminates Klee’s preparatory process and highly methodical approach to hue and composition. This significant painting is preserved in the collection of the Kunstsammlung NRW. As a celebrated example of Klee’s 1920s output, this work contributes greatly to the understanding of modern art; prints and reproductions of this iconic period remain highly sought after.