Job and his Wife restored to Prosperity by William Blake, print, 1825-1826

Job and his Wife restored to Prosperity

William Blake

Year
1825-1826
Medium
Engraving
Dimensions
plate: 8 1/2 x 6 5/8 in. (21.6 x 16.8 cm) sheet: 16 1/8 x 10 7/8 in. (41 x 27.6 cm)
Museum
Metropolitan Museum of Art

About This Artwork

"Job and his Wife restored to Prosperity" by William Blake (1825-1826) is a powerful engraving that concludes the artist’s celebrated twenty-one plate series illustrating the biblical Book of Job. As a master of the print medium, Blake executed this scene with precise, energetic line work, characteristic of the devotional and intensely spiritual style of his later career. This final composition, unlike the initial scenes of suffering and loss, depicts the ultimate resolution of Job’s trials and his renewed covenant with God. The work is part of a foundational print cycle and is housed in the extensive collection of the Metropolitan Museum of Art.

The composition centers on the healed and spiritually restored Job and his wife, illustrating the theme of divine restoration following repentance and unwavering faith. Blake carefully integrates symbols of their regained prosperity and blessing. Surrounding the triumphant couple, groups of sheep signify the return of their flocks, while the placement of the man and the woman suggests spiritual harmony. A key visual detail involves musical instruments and the prominent depiction of horns, often representing the Horn of Salvation or the trumpets of praise, which reinforce the joyous atmosphere. Blake’s handling of these symbolic elements reinforces the triumphal nature of the narrative.

Created late in the artist’s life, this engraving represents the culmination of Blake’s lifelong engagement with prophetic literature and visionary art. While originally produced as high-quality prints for private collectors, the enduring spiritual and aesthetic value of Job and his Wife restored to Prosperity has ensured its continued relevance. Today, reproductions of this series are frequently made available through public domain initiatives, allowing broad access to Blake's profound theological interpretation. The detailed execution and masterful narrative depth solidify this piece as a significant example of English romantic printmaking from the 1820s.

Cultural & Historical Context

Classification
Print

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