Jean-Joseph Fournier is an exemplary graphite portrait created by Jean Auguste Dominique Ingres in 1815. This precise drawing captures the likeness of a contemporary man, showcasing Ingres’s renowned skill in draftsmanship and his adherence to Neoclassical principles even in intimate studies. Executed during the artist’s prolific period in Rome, this work typifies the high demand for Ingres’s portraiture among French expatriates and visitors.
The medium is pure graphite, utilized with meticulous care to achieve subtle tonal variations and capture the precise physiognomy of the sitter. Ingres eschewed bold expressionism for crystalline clarity, using fine lines to delineate the features and convey a sense of reserved dignity. This drawing is not merely a preparatory sketch but a finished portrait, demonstrating the artist’s belief in drawing as the fundamental backbone of fine art.
The historical context of 1815 placed Ingres firmly within the Parisian academic tradition, even while abroad. This drawing provides insight into early 19th-century European portrait conventions, where precise representation and psychological depth were highly valued. As a significant example of Ingres’s drawn portraits of men, this piece forms part of the prestigious collection at the Metropolitan Museum of Art. Its quality ensures that high-resolution prints and documentation of the work are readily accessible through public domain art initiatives, allowing wide study of the master’s technique.