Jan Lutma

The powerful portrait Jan Lutma, created by Rembrandt van Rijn in 1656, stands as a masterpiece of 17th-century printmaking. Classified as a print, this work was executed using a sophisticated combination of etching, engraving, and drypoint on laid paper. This fusion of techniques allowed Rijn to achieve a remarkable range of tonal depth and texture rarely seen in the prints of the era. The artist utilized the burin for sharp, precise lines (engraving) and the needle for atmospheric shadows (etching), augmented by the rich, velvety quality of the drypoint burr, which is particularly evident in the darkest areas surrounding the figure.

This remarkable piece captures a sense of intimate portraiture common in the Late Baroque period. Rijn’s execution emphasizes the sitter’s physical presence through dramatic lighting effects and detailed textural work only achievable by combining multiple printing methods. Created toward the end of the Dutch Golden Age, this work exemplifies the detailed realism and psychological depth characteristic of the period 1651 to 1700. The effective use of light and shadow, often referred to as chiaroscuro, focuses attention on the sitter’s face and hands, providing profound insight into his character.

The original impression of this iconic print is held in the collection of the National Gallery of Art, a key repository for the study of Rijn's graphic output. Although many original impressions are unique due to the fragility of the drypoint elements wearing quickly, the image remains widely recognized today. Due to its age and historical importance, this image is often available for educational and scholarly use, making it part of the growing body of public domain artwork accessible worldwide. This work confirms Rijn’s reputation not only as a master painter but also as one of history's most innovative printmakers.