In Came a Storm of Wind, Rain and Spray - and Portia

In Came a Storm of Wind, Rain and Spray - and Portia by Winslow Homer, dating from 1869, is a significant example of American narrative illustration. This print is executed as a wood engraving, a labor-intensive but highly effective medium for the mass dissemination of imagery through periodicals in the United States during the post-Civil War era. Homer, recognized early in his career for his work as an illustrator for publications like Harper's Weekly, utilized this technique to render dramatic action with graphic clarity.

The subject matter focuses on a lone figure, Portia, caught in a powerful storm characterized by fierce wind and heavy spray. The strong, dark lines defining the composition emphasize the turbulent environment, highlighting the struggle between the individual and the forces of nature—a theme that would recur throughout Homer’s career. The dramatic contrast typical of wood engraving perfectly captures the wet, chaotic movement of the water and air surrounding the figure.

This early work showcases Homer’s developing skill in capturing human figures under duress and provides essential context for his transition toward becoming a dedicated painter later in life. As a pivotal nineteenth-century artifact of the United States’ publishing culture, this image is classified as a fine example of American prints. Given its age and origin, the work may now be considered part of the public domain, further contributing to its accessibility for study and appreciation. This compelling piece is currently held in the permanent collection of the Cleveland Museum of Art.