"I Cannot! It Would Be a Sin! A Fearful Sin!" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VI) by Winslow Homer, print, 1868

"I Cannot! It Would Be a Sin! A Fearful Sin!" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VI)

Winslow Homer

Year
1868
Medium
Wood engraving
Dimensions
image: 4 5/8 x 6 7/8 in. (11.7 x 17.5 cm) sheet: 9 7/16 x 6 in. (24 x 15.2 cm)
Museum
Metropolitan Museum of Art

About This Artwork

"I Cannot! It Would Be a Sin! A Fearful Sin!" (The Galaxy, An Illustrated Magazine of Entertaining Reading, Vol. VI) is a dramatic wood engraving created by Winslow Homer in 1868. This work represents a crucial period in American visual culture, where magazine illustrations played an essential role in disseminating narrative art and shaping public opinion. Published in The Galaxy, a sophisticated illustrated magazine aimed at the literate middle class, the print showcases Homer’s mastery of the demanding printmaking process required for commercial publication.

Homer utilized the technique of wood engraving, which involves incising the design onto the end-grain of a block. This method allowed for the high-volume reproduction necessary for periodicals like The Galaxy and gave the image its characteristic dense lines and strong tonal contrast. The scene itself captures an intense, ambiguous moment involving men and women, suggested by the melodramatic title that echoes Victorian literary and moral anxieties. By visually interpreting contemporary literary themes, Homer secured his reputation not just as a skilled draftsman, but as a visual storyteller capable of capturing the emotional dynamics defining American society during the Reconstruction era.

The work is characteristic of Homer’s prolific early career, during which he served as one of the leading illustrators in the nation. Its historical classification confirms its role in 19th-century publishing history. This particular impression of Homer’s I Cannot! It Would Be a Sin! A Fearful Sin! is held in the collection of the Metropolitan Museum of Art, preserving a vital chapter of the artist's foundational work as a graphic artist before he fully transitioned to oil painting.

Cultural & Historical Context

Classification
Print

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