Hudibras Sallying Forth, plate two from Hudibras

Hudibras Sallying Forth, plate two from Hudibras by William Hogarth English, 1697-1764, is a significant example of early 18th-century English satirical printmaking. Executed between 1725 and 1726, this print utilizes the combined techniques of etching and engraving, meticulously rendered in black ink on cream paper. The detailed technical execution highlights Hogarth’s commitment to disseminating high-quality prints that could circulate widely. The original cream paper has been carefully edge mounted on cream wove paper, indicative of the traditional methods used to preserve such delicate works.

This scene illustrates the famous Restoration-era satirical epic poem Hudibras by Samuel Butler, which mercilessly ridiculed Puritan hypocrisy and factionalism following the English Civil War. Hogarth, already developing a reputation for visual narratives and pointed social commentary, translates Butler’s text into a dynamic visual composition. The work captures the eponymous knight, Sir Hudibras, a self-righteous Presbyterian justice of the peace, preparing for his ill-fated adventures, rendered with Hogarth’s characteristic exaggerated characterizations and detailed environment. This depiction aligns with the robust traditions of caricature and satire flourishing in 18th-century England.

As one of the initial sets of book illustrations Hogarth created, this piece is crucial for understanding the development of his signature sequential storytelling style that would define his later career, exemplified in series like Marriage A-la-Mode. Scholars often study Hogarth’s early narrative prints to trace the origins of his observational genius. This historically important work, part of the extensive graphic arts collection, is held in the permanent collection of the Art Institute of Chicago. Given its cultural significance and age, the artwork is sometimes made available through institutions supporting the public domain.