Horse from Hanover

Horse from Hanover is a compelling lithograph created by Théodore Géricault in 1822. As a leading figure in French Romanticism, Géricault embraced the newly popularized medium of lithography, appreciating its capacity for textural depth and spontaneity, which mirrored the expressiveness of drawing. This particular print exemplifies his dedication to capturing the power and vitality of horses, a subject that dominated much of his tragically short but impactful career.

The subject is rendered with dramatic precision, showcasing Géricault’s unparalleled knowledge of equine anatomy. Through the lithographic technique—a printing method that allows for painterly effects and deep, velvety blacks—Géricault defines the musculature and temperament of the powerful animal. The work, created in France, functions both as an independent artistic statement and a detailed study, demonstrating how the print medium allowed the artist to disseminate his artistic vision widely during the early 19th century.

The quality of the draftsmanship confirms Géricault's reputation as one of the great technical masters of his generation. Like many master prints that have influenced subsequent generations of artists, this piece of French printmaking history is held in a prestigious institution. Works from this period are often made available to the public, and high-resolution images and prints derived from such collections frequently enter the public domain, ensuring continued global access to Géricault's legacy. This seminal print is part of the permanent collection held by the Cleveland Museum of Art.