"Homage to Molière," created by Henri de Toulouse-Lautrec French, 1864-1901 in 1897, is a sophisticated example of late 19th-century French graphic production. Classified professionally as a print, the work utilizes the demanding process of color lithography on cream wove paper, a medium that allowed Lautrec to achieve vibrant, painterly effects through mass reproduction. This classification underscores his importance not just as a chronicler of Parisian nightlife, but as a master of modern printmaking and commercial art in France.
The subject of this 1897 piece is an artistic tribute to Molière (Jean-Baptiste Poquelin, 1622-1673), the celebrated French master of comedy and an enduring icon of global theater. While Toulouse-Lautrec is best known for depicting the contemporary cabaret and music halls of Montmartre, this specific piece demonstrates the artist's engagement with classical cultural figures relevant to the Parisian intellectual scene. Lautrec frequently drew inspiration from the world of performance, capturing the necessary energy, costumes, and drama essential to the theatrical environment, whether historical or modern.
Lautrec’s influential approach to lithography cemented his legacy as a transitional figure between academic art and the emerging world of modern advertising and poster design. The distinctive style and technique visible in this print are characteristic of his mature output and his ability to convey character with minimal lines. This important Impressionist-era work is held in the comprehensive collection of the Art Institute of Chicago. As a historically significant artwork, high-quality images of this masterpiece, along with many other significant prints by Lautrec, are frequently made available through public domain initiatives, ensuring broad access for study and appreciation worldwide.