Herrezen Christus staand tussen heiligen Andreas en Longinus

The print Herrezen Christus staand tussen heiligen Andreas en Longinus by Andrea Mantegna, created between 1470 and 1474, is a significant example of early Renaissance graphic art. Executed on paper, the work likely utilized the technique of engraving, a demanding discipline Mantegna mastered to achieve the sculptural quality of his figures. This period marks a high point in Mantegna's career, where he actively produced prints that served to disseminate his highly influential, classicizing style across Italy and Europe.

The composition centers on the standing figure of the Risen Christ, rendered with typical Mantegna precision, flanked by Saint Andrew, identified by his cross, and Saint Longinus, the soldier traditionally associated with the spear that pierced Christ’s side. Mantegna’s characteristic style blends dramatic realism with an archaeological interest in ancient Roman sculpture and architecture. This precision, evident in the meticulous modeling of the drapery and the monumental stance of the figures, was groundbreaking for the fifteenth century.

As one of the period’s most important graphic artists, Mantegna ensured that his prints were viewed not merely as preparatory studies but as finished works of art. Pieces like this highlight the crucial role of graphic output in spreading Renaissance iconography and artistic innovation. This exceptional work is held in the permanent collection of the Rijksmuseum. As a historic piece, it contributes greatly to the understanding of Italian Renaissance prints, and digital copies are often available through public domain initiatives.