Hamlet and Ophelia (Act III, Scene I) is a powerful lithograph created by Eugène Delacroix between 1834 and 1843. This work exemplifies the artist's lifelong fascination with Shakespearean tragedy and is characteristic of the dramatic intensity of the Romantic movement flourishing in France during the period of 1826 to 1850. Classified as a Portfolio piece, the artwork reflects Delacroix's sustained commitment to printmaking as a popular means of disseminating his emotional and historically-charged compositions to a wider audience.
Delacroix captures the intense psychological confrontation of the play's Act III, Scene I, often referred to as the "Nunnery Scene." The artist focuses on the immediate tension of the dialogue, depicting the moment where Hamlet cruelly rejects Ophelia, believing her to be an instrument of his enemies, Claudius and Polonius. The use of the lithograph medium, with its capacity for rich, velvety blacks and sharp, painterly contrasts, enhances the dramatic chiaroscuro effect favored by Delacroix. The scene is saturated with the psychological depth and emotional fervor that defines Delacroix's unique and highly influential interpretation of the tragedy.
Delacroix's extensive series of illustrations for Hamlet cemented his reputation as the foremost Romantic interpreter of Shakespeare in his time. The creation of such detailed prints allowed a broader audience to engage with his interpretations than would have been possible solely through oil paintings, making these early lithographs highly influential in artistic circles. Today, the work is part of the distinguished collection of the National Gallery of Art. High-quality prints of this subject are frequently available through public domain sources, allowing researchers and enthusiasts worldwide to study the dynamic composition and masterful handling of light by this key French artist.