Hamlet and Guildenstern is a powerful lithograph created by Eugène Delacroix between 1834 and 1843. This piece is one of a celebrated series of prints dedicated to the iconic dramatic works of William Shakespeare, illustrating Delacroix’s lifelong intellectual and artistic engagement with literary tragedy. The composition captures a moment of intense dialogue and philosophical reflection between the melancholic Prince of Denmark and his former schoolmate, Guildenstern.
As a lithograph, the work demonstrates Delacroix’s mastery in conveying psychological tension through deep shadows and dramatic chiaroscuro, techniques he often employed across his entire body of work. Delacroix successfully utilized the lithographic process to capture the swift, expressive quality of his preliminary sketches, emphasizing the emotional states of the two men. This specific impression is identified as the second state of four, showcasing the artist's careful developmental revisions to the final image before its eventual publication as a finished print. The ability to produce multiple copies made these literary subjects accessible as graphic prints to a wider 19th-century audience.
Delacroix’s interpretations of Shakespeare profoundly influenced subsequent generations of Romantic artists. The figures are rendered with expressive posture and costume typical of the French Romantic movement. Today, this important historical example of Romantic-era prints resides in the permanent collection of the Metropolitan Museum of Art, New York, where it contributes significantly to the study of the artist's prolific production in the graphic arts. Many of Delacroix’s classic interpretations, like this portrayal of Hamlet and Guildenstern, are now widely accessible within the public domain.