Gulielmus Hogarth

Gulielmus Hogarth, created by the renowned British artist William Hogarth between 1748 and 1749, is a significant example of eighteenth-century printmaking. Classified as a print, the work was executed using the meticulous processes of etching and engraving, demonstrating Hogarth’s sophisticated command of graphic media during the height of his career. Dating specifically to the period of 1726 to 1750, the piece reflects the evolving standards of artistic production and distribution within British visual culture, where reproducible prints were essential for disseminating images and narratives to a wide public.

Hogarth, famous for his satirical narratives and detailed moralizing series, frequently utilized the medium of prints to bypass traditional patronage systems and appeal directly to a broader market. Although the title Gulielmus Hogarth strongly suggests a form of self-portraiture or personal reference—Gulielmus being the Latin equivalent of William—the precise context of its creation relates to Hogarth’s ongoing efforts to define and project his professional identity. The use of etching allowed for spontaneity and textural variation, while the precision of engraving added definition and durability to the plates, ensuring a high quality of reproduction across multiple impressions.

This important work is held in the permanent collection of the National Gallery of Art, Washington D.C., where it serves as a key reference for understanding the commercial and technical environment of mid-18th century British art. The ability of Hogarth to combine artistry with technical expertise made him a pivotal figure in European graphic arts. Due to its historical significance and age, the underlying images utilized for such celebrated historical prints are often now considered part of the public domain, ensuring the enduring accessibility and study of Hogarth’s pioneering artistic legacy across the globe.