The influential drawing Guitar was created by Pablo Picasso in 1912. Executed solely in charcoal on paper, this seminal work is classified as a drawing and stands as a critical example of the Spanish artist’s engagement with Analytic Cubism. This period, dating specifically to Paris, December 1912, marked a pivotal moment in the development of modern art, challenging traditional representation by portraying objects simultaneously from multiple, fragmented perspectives. The subject, a musical instrument, offered fertile ground for experiments in form and structure, becoming a recurring motif for Picasso and his contemporaries.
Picasso uses the stark, graphic quality of the charcoal medium to define the fragmented planes and intersecting geometric shapes that constitute the instrument. Unlike his earlier, more densely layered oil paintings, this work emphasizes line and negative space, revealing the foundational skeletal structure of the Cubist approach. The composition systematically breaks down the traditional, recognizable shape of the guitar, compelling the viewer’s eye to actively reconstruct the form through a complex network of overlapping, translucent surfaces. The economy of means employed in Guitar highlights the intellectual rigor and abstract logic characteristic of high Analytic Cubism, where structure and perception are prioritized over surface detail.
This crucial piece demonstrates the transition in Picasso's thinking just prior to his full embrace of Synthetic Cubism. The original resides in the permanent collection of the Museum of Modern Art (MoMA) in New York, where it serves as an indispensable reference point for 20th-century studies. Due to its foundational importance in visual culture, the image is widely distributed globally; high-quality prints and reproductions ensure that the aesthetic principles embodied in this drawing remain accessible to historians and students worldwide.